Rental Corner: The egotistical and skippable “Star Trek V”
There’s more than one reason why “Star Trek V: The Final Frontier” doesn’t work. If I was a fan of Star Trek, chances are I would be highly disappointed and find myself yelling many Klingon obscenities at the tv screen. As a typical moviegoer, I really don’t know how to put this. In a way, I heard this one was the worst of the batch and sort of expected what was coming. I didn’t come off feeling angry but what I can say is that I wasn’t amused either. Most bad movies like “Masters of the Universe” and “Howard the Duck” at least had some form of effort and left me with something to enjoy. “Final Frontier” is a strange case where it does start with an interesting idea but then explodes like the first bite of a sloppy joe. The meat sinks from the sandwich buns and seeps onto your plate to the point you find yourself eating it with a spoon in understanding the confusion.
To understand why this is considered the worst in the original film series, let’s examine the faults one step at a time. The previous Star Trek films had a director that at least had an understanding of the franchise. Robert Wise took “The Motion Picture” on the show’s themes of technology’s vast expansion while Nicholas Meyer examined the human element more in “The Wrath of Khan” making for a successful entry. The late Leonard Nimoy wasn’t a bad director as clearly he can mange making a movie but some of the ideas felt very far fetched from whales communicating with aliens to rebirth. While “Search for Spock” and “Voyage Home” made up for it some great writing and humor, the themes and ideas felt too vague and incoherent but still had some supporting legs for its existence in the story.
Instead, directing duty went to William Shatner who I will admit had an interesting idea but somehow got lost within the production problems and weird choices. There’s no such thing as a bad director until you see the movie but unfortunately this movie is proof Shatner is not good at directing movies. There appears to be some oddly shot scenes to cover up cheap special effects and even the editing is by far the most unforgivable raging from the infamous “Hover Shoes Elevator” scene which could have been easily edited to even obvious wires and ships that fly around like they are from a Looney Tunes. From what I understand, there was a much bigger story in the works that got whittled down thanks to studio interference and criticisms from the cast. Thus a parable about religion got lost in the mix of goofy yet forced humor and again some production troubles ranging from special effects made someone lesser than ILM to even a production story where Shatner nearly died when filming the desert scenes. Credit to ambition but the bigger faults lie within the story.
Laurence Luckinbill plays a Vulcan named Sybok who turns out to be Spock’s half-brother. He goes around curing people of their pain by removing it and plans to meet up with an entity he believes is God. And that’s just the surface. This doesn’t come into play till the second half and already there are some problems. We never get to learn where Sybok got these powers or even understand his motives that well. He cures McCoy and Spock of their painful memories later on but it doesn’t prove much. Does he have connections with this big God anomaly? We never really understand in the end.
In fact, more time is devoted to Kirk and his pals vacationing at Yosemite and forced comedy aboard the Enterprise that is not functioning fully. What made the previous installments work was the compensation between political views and actual character development. Even if they did channel the campier side of the original show, they did it in a mature manner as if it was a B-movie with brain. “The Final Frontier” uses this campy factor to full power complete with one-liners, surreal moments like Uhura’s infamous fan dance and some very forced comedy. Highlights include Scotty having trouble getting the Enterprise fixed together, a bunch of Klingons trying to chase after Kirk that look like space hillbillies and Kirk trying to help Spock understand the concept of a night with a campfire. This can work but its execution is so forced in it feels desperate for a laugh.
“Voyage Home” worked because we were fascinated by the idea of the future seeing the past and making a unique commentary about how “advanced” we were at the time. The chemistry came from the Enterprise crew interacting with 1986 computer devices and mingling with people that are far off from the 23rd Century. Aside from whales and time travel, that was the glue that held it together. “Final Frontier” has a ridiculous concept but there is nothing to connect to as the story goes from a campfire to a hostage rescue to a mutiny lead by Sybok to the climatic meet-up with the God entity. There’s clearly too much going on here and without a clear connection, we get no support as we feel like we are watching three Star Trek movies crammed into one. Even most of the focus is on Kirk, Spock and McCoy as the supporting cast are used for one-note jokes or just used little at all. The previous movies gave small roles a sense of importance and character. Not shove them aside for a Stooge trio making the film more “Kirk” centered than the others.
However, the character of Sybok does try to be some form of connection in these string of plots but his actions don’t make any sense. He wants to get a starship to meet up with the God entity but stages a ransom to hijack one. He doesn’t want people to die and tries to act innocent, but his villainous actions contradict the character’s good will. Would it kill to send out a distress signal or at least some kind of contact to get a ride? All this trouble just to get to a creature that claims to be God but isn’t feels like a waste of time not just for Kirk and the crew to go through but even our own.
Bottom line, “Final Frontier” is easily the most skippable entry. Its one you can live without seeing. I can’t say its 100% terrible as there can be a nice scene once in a while with some character development and there was at least some promise. William Shatner said the idea for this one came from watching televangelists and noticing how they were strangely horrifying yet fascinating to watch. Sybok almost has this feeling with promises of something greater and healing powers. If this character was developed further and maybe given a stronger motive, perhaps there would be a stronger conflict at play. But alas, nothing comes together. I didn’t even talk about the pointless David Warner cameo, the triple-breasted feline bar dancer or even the fact that almost every scene has someone drinking alcohol. Maybe the original script was a better movie at the start with cut material ranging from Kirk going against the Devil to a rock-monster that got replaced with a giant blob of light. Even when the Star Trek movies where being released on 2-disc DVDs, Shatner asked Paramount Pictures to do a recut of the film with added footage and new effects to improve it. As you would expect, Paramount decided to not to support this idea and didn’t attempt it. That’s well enough proof for you. A Star Trek sequel so infamously bad that even its own studio doesn’t want to fix it up.
Posted on March 3, 2015, in Rental Corner, Why the Hate? and tagged God, infamous, Leonard Nimoy, Paramount Pictures, religion, Sequel, Star Trek, Star Trek V: The Final Frontier, Sybok, televangelist, William Shatner, worse. Bookmark the permalink. Leave a comment.