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“Star Trek Beyond”fueled with action despite some technical flaws

startrekbeyondposterThis crop of summer blockbusters has been played out almost like a baseball game. One movie after another has stood up to the plate and rarely make a home run. The only exceptions have been Disney and “The Secret Life of Pets.” Others have been either less successful or barley made a big splash. Let me tell you, this has been a very dull summer with the choices we have been given. But with “Star Trek Beyond” up at bat, is it good enough to get itself a home run? No, but I’d say good enough to third base.

Justin Lin takes the director’s chair while Simon Pegg and Doug Jung helm the script. The tones tend to clash from time to time as one can tell when one style is being injected. Pegg places the usual Trek banter of different worlds and character development when needed. Lin, on the other hand, fuzzes his style more prominently during the action scenes. While these two are obvious to point out, it doesn’t deviate from each other delivering a good entry.

The only downfall is that you got to sit through a lot of mediocre stuff in order to see the best parts. Highlights include an opening meant to be humorous where Captain Kirk (Chris Pine) offers peace to a race of tiny creatures to an explanation over old Spock’s departure from the franchise. The opening scene alone is a good example of how hit and miss the comedy is. Sometimes, it can be good when characters like Spock and McCoy banter while certain corny lines border on eye roll-worthy.

Once you get through the slush, “Beyond” kicks into gear when the Enterprise crew is sent out to save a crew wrecked on a desolate planet. However, the affair turns out to be an ambush as the ship gets attacked by an alien race that acts like a hive of bees. The scene where the Enterprise ship itself getting bombarded is surprisingly well-done. While its not effective like the crash scene in “Star Trek: Generations,” it still packs plenty of punch and intensity as the ships latch on and swarm around the doomed vessel.

Idris Elba plays the new alien villain named Krall who plans to fire back at the Federation with a device that eats away living matter. I admit, I felt practically bored at times seeing how good of an actor Elba is. I was fooled at first thinking this baddie had a one track motivation. But the third act gives us an interesting reveal that immediately has us realize why Krall would want to go after the Federation. It becomes something much deeper matching the villainous Khan, but I do wonder what it would have been like if this reveal came earlier in the film. On the plus side, it’s a great twist that shouldn’t go unnoticed.

However, midway the story sort of meanders. The crew is split up a bit as Spock and McCoy try to survive, Kirk and Chekov wander around for answers and Scotty is teamed with a cool alien inhabitant. While these plot threads don’t stray too much and serve purpose, it makes me wonder if these were developed better to hold more interest. I felt like it was used at times to show off how unique the planet looks and it does look good. But then, we have to cut from “Group Kirk” to “Group McCoy” and remember which party is doing what.

On the bright side, Scotty makes a new friend in the form of Jaylah, a bright white alien played by Sofia Boutella. I loved the personality of this character as she adds on something new to the franchise. The make-up alone is a step above those seen at Comic Con conventions and I like the idea that she has been stuck on this planet long enough to know its dangers very well. Somehow, I’m a sucker for characters like that who are stranded on a desolate place but know how to make it their home. Sort of like Swiss Family Robinson but with lasers. There’s just a cool sense to this character that never outstays her welcome.

While “Star Trek Beyond” seeks to be respectful to the original source, there are a couple of things that sort of bugged me. Like I said, the whole movie builds to a grand finale, but in order to get there, you have to sit through some weak comedy and sluggish pacing in spots. The action scenes, for the most part, do get better as we go along. And yet, I wish the whole “handycam” feel was ditched. This is a cliche that has been kept on for too long as during a big fist fight, we get tons of close-ups and shaky frame movements. Its distracting and takes away from the tension. And as stated earlier, the departure of Leonard Nemoy’s Spock could have been handled better. To the movie’s credit, we do get a nice tribute near the end, but I feel it would have been stronger if the explanation for his absence was either cut out or just handled better.

Never the less, I dug the creature designs, the sets and a spaceship base that has cities on the rims to make it look like a unique utopia. I felt it was nice to see the new Star Trek crew back together and create a fun experience. The first third can be easily forgiven by how better the last two thirds get. As the action scenes keep coming, they get better and better trumping one after another. While “Star Trek Beyond” is not the strongest entry of the batch, its a welcome one that is worth recommending to see in theaters.

Rental Corner: “Star Trek VI” great finale to a grand journey

Is the best saved for last?

Is the best saved for last?

For the longest time, I never understood why “Star Trek VI: The Undiscovered Country” never got the talk it deserved. It was a hit at the box-office and paved the way for the Next Generation films while showing the Star Trek franchise still had legs. Fans tend to look at films Khan, Spock and Voyage Home as a defining trilogy and I can see why. My argument is why not end it all with “Undiscovered Country?” It ends a lot of character arcs with Captain Kirk, takes a lot of dark risks and even explorers more boundaries with the characters we know and love. Well, after watching it a few times, I sort of understand why some would tend to overlook it but I still see no excuse to skip it.

When a Klingon moon explodes, its revealed that a good bulk of the ozone layer on the Klingon’s homeworld is depleted and a lack of energy throws them into turmoil to the point they can’t control themselves. The solution; seek peace with the Federation who happen to be a long time enemy. How they choose to talk about their terms however is where it gets interesting. They decide to have an ambassador sent and let an escort accompany them to Earth. This of course has Kirk in the mix when him and his crew are chosen to be the escort despite the captain’s anger for the alien race after killing his son. But problems arise when when the Chancelor is assassinated under the Enterprise’s watch and leaves Kirk for the blame to the point him and McCoy get sent to court for their crimes while Spock and the crew try to piece together this intense mystery.

David Warner as the Chancellor Gorkon who gets a second chance after movie V

David Warner as the Chancellor Gorkon who gets a second chance after movie V

What works the most about “Undiscovered Country” is how it keeps your guessing. There’s so many open possibilities and it takes advantage of every single one. The idea that anyone on the crew is a suspect, Kirk trying to learn to deal with his bigotry and even the material with the Klingons hold up well too. They are alien beings that are trapped between making peace with a long time enemy or creating a new war. They play off of it so much it makes you wonder just how many are willing to put down their weapons and just get along. Even the Federation is unsure yet willing to try out making negotiations hoping this will lead to a positive outcome.

While that is a strength of a movie, it also comes as a weakness. A lot of Klingon elements are used as a tour de force metaphor for the Cold War when America and Russia went head to head in the nuclear arms race. Unlike most movies like Superman IV or Red Dawn where they use the time period as a plot device, Star Trek VI serves as more of an afterthought which is not a bad idea but the symbolism and metaphors come off as obvious and might date this entry a little. Crew members resort to racist Klingon slang as even talks of advanced weaponry get tossed in the mix. They even go as far to have Kirk and McCoy imprisoned on a snowy planet that looks remonstrant of a Gulag. On first watch, its kind cool seeing all the different alien species mining for minerals and mingling but in hindsight, it pushes the Russian connections a bit too much.

 

Christopher Plummer as a Klingon...nuff said

Christopher Plummer as a Klingon…nuff said

What that said, I feel the rest of the movie holds up enough on its own. Its nice to see the original cast back together one last time, the action scenes are intense while providing plenty of flare and the performances are good too. Highlights include David Warner getting a small but big role as the Klingon Chancellor and Christopher Plummer as the Klingon General Chang really soaks in his role of war crazed persona. Its funny how these two contrast from each other as Warner goes for a softer approach while Plummer really goes all out. Its fun seeing him watch in delight as he tries to outwit Captain Kirk and see that his motives succeed. The action scenes are well done and very intense for a Star Trek movie. The Klingon assassination scene is a huge highlight with Dutch angles and tight close-ups used to a good degree. The special effects hold up well enough but again there is that looming Cold War metaphor as starships move about like war submarines when in confrontation. On the other hand, its nice to see some model work before the switch over to CGI.

An added scene from the Director's Cut where Colonel West proposes a rescue mission.

An added scene from the Director’s Cut where Colonel West proposes a rescue mission.

Fans might also be curious to check out the Director’s Cut which you can find on certain DVD releases and VHS tapes. The one that seems to be more recommendable and available is the Special Collector’s Edition cut. Much like with “Wrath of Khan,” (ironic as Nicholas Meyer returns to direct), the additions are small and subtle but enhance the narrative without grand damage. There’s only a couple of shots changed around like when Scotty examines some blueprints of the Enterprise but then there’s whole sequences that are restored like a group proposing to save Kirk and McCoy and Spock inspecting the torpedoes while the Scotsman alludes to his Klingon bigotry. But then, there’s some that sort of work like this extra twist to an assassination near the end when the assassin turns out to be someone else. Without spoiling anything, its a neat idea but lacks the proper build up.

Overall, “Undiscovered Country” is a fitting end to such an amazing franchise. Sure the original Star Trek movies had some bumps along the way, but this entry really ties the knot together. I’m pleased to see they decided they stopped here and didn’t continue as clearly the cast was already aging. In a way, this acts like a reunion film and its nice to see the old crew back together one last time. In today’s cinema, this considered a taboo move as films like Indiana Jones and the Kingdom of the Crystal Skull feel pointless knowing the original franchise was fine without a new entry. This sequel doesn’t fall into that trap but nearly does considering the cast is well aware there’s no point for a six one but at least have fun with it. By the time the end credits came and showed the signatures of everyone from William Shatner to Leonard Nemoy, I couldn’t help but feel a sign of accomplishment. These people went to explore the most amazing parts of the galaxy and truly went where no one had gone before. This was this curtain call and it was a nice end to their experience to such a well remembered franchise.