Honestly, there is no reason this movie should be given a spotlight on this blog-a-thon. However, it does tie into the theme of “cult classics” (somehow) and the Universal Studio Monsters franchise is normally watched around Halloween. On top of that, I’m certain EVERYONE had something to say about this dusty turkey. And yet, if I had to toss my two cents in, The Mummy is without a doubt, on my roster, for being the worst movie of 2017.
Let’s back up a little and talk about some history. Universal Studios has been desperate in every way to try and bring new life to their horror themed franchise. Back in the 1930s, movies about Dracula, Frankenstein, Phantom of the Opera and many others are what put the studio on the map. These are iconic pictures that leave a lasting impact upon the public, regardless if one doesn’t like black and white features. There is a glowing haunting impact that is still left from the ideas and building atmosphere.
Universal Studios has been toying with their creature features for a long time. I can’t tell you how many times they tried to get a Creature from the Black Lagoon remake off the ground. Even John Carpenter nearly got the chance to helm it; that is if a certain Invisible Man movie with Chevy Chase didn’t bomb at the box-office. Bottom line, this studio has been trying. They tried a new Wolfman in 2010, it didn’t do very well. They tried to give Dracula an origin story, it did moderately well, yet critics put a stake right into it.
Now, the new plan was to reboot everything and create a shared universe along the lines of Marvel Studios. Not a bad idea, but there is one crucial problem. In order to achieve it, you need to introduce your monsters individual first. Give Marvel some credit, it took time and effort to establish who their superheros were and why are they all connected. It made the debut of The Avengers (or Avengers Assemble in International waters) the more satisfying seeing characters we already saw. The concept of a shared universe seemed not needed when you consider there already exists a movie with all the monsters meeting (more on that later in the month).
Come the summer of 2017, a string of sequels and reboots that never seemed to catch on with some exceptions. Arriving to the big screen is The Mummy, a movie Universal Studios is confident will be a huge hit and ignite a massive interest in making a shared universe. And let me tell you, for a movie called The Mummy, it’s sad to see it plays out more like a 2 hour trailer for a franchise as opposed to a standalone feature.
Every problem can be summed up in the opening. First, there is a 30-second flashback to Medieval Times were knights hide a powerful ruby. Cut to modern times where a group of FBI-like agents find a tomb carrying said ruby. Then, it flashes back to show the origin of the mummy and how she came to be. What should be a simple introduction is really a massive exposition dump. There is too much being addressed and it doesn’t know what information is crucial to the narrative. It literally throws everything at you and expects a sense of understanding.
So, now your probably asking how is the rest of the movie? Well, here’s a hint. Notice how the focus of this article is about Universal’s choice to make a franchise. When you boil down to it, there isn’t much of a movie, or a story, to discuss. Tom Cruise is a treasure raider who finds a mummy, mummy curses him in a weird set up that sounds stolen from Tobe Hooper’s Lifeforce, Russell Crowe shows up as Dr. Jekyll to talk about a set of agents who prevent monsters from going loose and that’s it.
Everything I summed up in that small paragraph is all you need to know. Sure there are things I didn’t talk about like the performances, a subplot involving a dead friend that is taken from An American Werewolf In London, the complex origins of the mummy that make no sense, the rampage on London near the end and the obvious tie-ins to “future entries.” Honestly, who cares? If Mummy just stuck to one story line, it would have been fine. Instead, it feels like different scripts were bunch into one and then hacked down with a chainsaw. All we get is a set of shreds that don’t add up. Stuff happens, but there is rarely any connection.
I tried to think of anything positive about this movie and I could only come up with two things. Tom Cruise plays the lead and, regardless of ego, he tries to be entertaining. His performance goes for a very goofy-action hero tone that matches Brendan Fraser, but it feels weird knowing he’s more equipped when it comes to spy movies. And for what little we see of Sofia Boutella, she tries to bring a sense of menace to her take of the mummy. Under all the poor CGI effects they paint over her face, she is really trying to stand out. Unfortunately, her presence is literally buried under Cruise’s rampant ego and “too many cooks” trying to steer this popcorn flick.
I really can’t even do much justice to recommend this train wreck. Your better off seeing the original 1932 Mummy with Boris Karloff. That one was more scary in atmosphere and selling the concept of reincarnation. Why can’t we have a movie like that anymore? A horror film that sells on scaring you with atmospheric tone and concept as opposed to jump scares. I’m certain there are some out there, but I can only imagine how few there are. This movie is pure proof that certain executives can’t keep up with the times on what audiences want. A lesson that is learned again and again as time goes on. Just when Hollywood thinks they know what people want, they come out with a movie too late once that previous obsession has died down. We are pass the bar of shared universes. Some can work, but this one doesn’t.
Avoid at all costs.