Honestly, there is no reason this movie should be given a spotlight on this blog-a-thon. However, it does tie into the theme of “cult classics” (somehow) and the Universal Studio Monsters franchise is normally watched around Halloween. On top of that, I’m certain EVERYONE had something to say about this dusty turkey. And yet, if I had to toss my two cents in, The Mummy is without a doubt, on my roster, for being the worst movie of 2017.
Let’s back up a little and talk about some history. Universal Studios has been desperate in every way to try and bring new life to their horror themed franchise. Back in the 1930s, movies about Dracula, Frankenstein, Phantom of the Opera and many others are what put the studio on the map. These are iconic pictures that leave a lasting impact upon the public, regardless if one doesn’t like black and white features. There is a glowing haunting impact that is still left from the ideas and building atmosphere.
Universal Studios has been toying with their creature features for a long time. I can’t tell you how many times they tried to get a Creature from the Black Lagoon remake off the ground. Even John Carpenter nearly got the chance to helm it; that is if a certain Invisible Man movie with Chevy Chase didn’t bomb at the box-office. Bottom line, this studio has been trying. They tried a new Wolfman in 2010, it didn’t do very well. They tried to give Dracula an origin story, it did moderately well, yet critics put a stake right into it.
Now, the new plan was to reboot everything and create a shared universe along the lines of Marvel Studios. Not a bad idea, but there is one crucial problem. In order to achieve it, you need to introduce your monsters individual first. Give Marvel some credit, it took time and effort to establish who their superheros were and why are they all connected. It made the debut of The Avengers (or Avengers Assemble in International waters) the more satisfying seeing characters we already saw. The concept of a shared universe seemed not needed when you consider there already exists a movie with all the monsters meeting (more on that later in the month).
Come the summer of 2017, a string of sequels and reboots that never seemed to catch on with some exceptions. Arriving to the big screen is The Mummy, a movie Universal Studios is confident will be a huge hit and ignite a massive interest in making a shared universe. And let me tell you, for a movie called The Mummy, it’s sad to see it plays out more like a 2 hour trailer for a franchise as opposed to a standalone feature.
Every problem can be summed up in the opening. First, there is a 30-second flashback to Medieval Times were knights hide a powerful ruby. Cut to modern times where a group of FBI-like agents find a tomb carrying said ruby. Then, it flashes back to show the origin of the mummy and how she came to be. What should be a simple introduction is really a massive exposition dump. There is too much being addressed and it doesn’t know what information is crucial to the narrative. It literally throws everything at you and expects a sense of understanding.
So, now your probably asking how is the rest of the movie? Well, here’s a hint. Notice how the focus of this article is about Universal’s choice to make a franchise. When you boil down to it, there isn’t much of a movie, or a story, to discuss. Tom Cruise is a treasure raider who finds a mummy, mummy curses him in a weird set up that sounds stolen from Tobe Hooper’s Lifeforce, Russell Crowe shows up as Dr. Jekyll to talk about a set of agents who prevent monsters from going loose and that’s it.
Everything I summed up in that small paragraph is all you need to know. Sure there are things I didn’t talk about like the performances, a subplot involving a dead friend that is taken from An American Werewolf In London, the complex origins of the mummy that make no sense, the rampage on London near the end and the obvious tie-ins to “future entries.” Honestly, who cares? If Mummy just stuck to one story line, it would have been fine. Instead, it feels like different scripts were bunch into one and then hacked down with a chainsaw. All we get is a set of shreds that don’t add up. Stuff happens, but there is rarely any connection.
I tried to think of anything positive about this movie and I could only come up with two things. Tom Cruise plays the lead and, regardless of ego, he tries to be entertaining. His performance goes for a very goofy-action hero tone that matches Brendan Fraser, but it feels weird knowing he’s more equipped when it comes to spy movies. And for what little we see of Sofia Boutella, she tries to bring a sense of menace to her take of the mummy. Under all the poor CGI effects they paint over her face, she is really trying to stand out. Unfortunately, her presence is literally buried under Cruise’s rampant ego and “too many cooks” trying to steer this popcorn flick.
I really can’t even do much justice to recommend this train wreck. Your better off seeing the original 1932 Mummy with Boris Karloff. That one was more scary in atmosphere and selling the concept of reincarnation. Why can’t we have a movie like that anymore? A horror film that sells on scaring you with atmospheric tone and concept as opposed to jump scares. I’m certain there are some out there, but I can only imagine how few there are. This movie is pure proof that certain executives can’t keep up with the times on what audiences want. A lesson that is learned again and again as time goes on. Just when Hollywood thinks they know what people want, they come out with a movie too late once that previous obsession has died down. We are pass the bar of shared universes. Some can work, but this one doesn’t.
Avoid at all costs.
If anything “Kong: Skull Island” proves is that monster movies are not dead. Nor is the genre of jungle adventure films. In today’s age, Hollywood has been giving us more superhero and reboots to the point of overkill. Now, Legendary Pictures is getting its “MonsterVerse” into gear and I can thankfully say I wasn’t disappointed with this entry. It was about time the big ape got a fresh start and I had a blast watching it. The movie in a nutshell is the war tone of Apocalypse Now meets the characters from James Cameron’s Aliens.
Set during the Vietnam War’s end, a government agent named Bill Randa (John Goodman) seeks a plan to visit an mysterious island for study and proof that monsters exist there. He gets teamed up with Lieutenant Colonel Packard (Samuel L. Jackson) and a bunch of soldiers to take a trek via helicopter. At first we are led to believe this is some sort of study when it turns out Bill wants to blow up the island in a fiery rage. All plans are halted when Kong arrives showing he’s not only king of the island, but also a protector of his home.
The moment Kong shows up and smashes some helicopters, everything changes as the war movie turns into a monster movie. While stranded and seeking an exist, soldiers fend their way through thick jungle and avoid the wraith of giant spiders and demonic lizard monsters seeking to munch on them. Each creature is well designed by ILM and its a shame we never get to see many in action. With the only exception being a bunch of monsters called “skull crushers,” that look like a crossbreed between Cubone from Pokemon and a gila monster. When these monstrous being attack, I was greedy in hoping for a big action scene with a whole horde of them. On the other hand, this movie is dedicated to Kong, so I probably shouldn’t complain.
Also stuck on the island is a former British Captain (Tom Hiddleston) and a photojournalist (Brie Larson) who get the better part of the journey. Most of the time, they run into peaceful beasts and kindly natives that have a Buddhist-like personality. They later come across a World War II pilot played by John C. Riley, who crashed landed on the island in 1944. Riley proves to be a lot of fun with a manic performance that is funny and touching. Of course, they joke around how he has no clue about current events but they work for the most part.
“Kong” is very much your run of the mill monster movie stocked with cliched characters, rampaging beasts and all tossed into a thick jungle. What sets itself apart is the directorial style and fun performances. The choice of placing the story during the Vietnam War gives way for some creative scenes of solders blasting off to a tape recording playing Black Sabbath. The soundtrack itself is packed with psychedelic rock music from Creedence Clearwater Revival to David Bowie and the color scheme is put to great use with intense sunlight and cold blue nights.
Aside from the eye candy, I can’t think of single performance or character I disliked. Most of the people there are stock characters and cliches, but not in an annoying way. You have the one person who knows what is going on but is ignored, the war crazy Colonel, the guy who promises to make it home but doesn’t and so forth. In a way, I wish the characterization was given more depth but I wasn’t too disappointed in the light development. Actors like Sameul Jackson and John C. Riely really soak up the screen and knowing this is the kind of movie not to take seriously. In honesty, it works.
The revamped Kong is a big highlight differing from any other version depicted before him. The ape stands like a God of the sky and will defend his home in anyway he can. The special effects really convey the emotion and determination of this creature in how far he will go to protect Skull Island. Unlike Gareth Edwards’ Godzilla from 2014 (which the enjoyment is starting to wear off), we get plenty of Kong scenes paced perfectly throughout the movie. From brawling monsters to taking down choppers, this variation is sure to please.
I found myself overjoyed by the time the end credits came along. I’m a dead sucker for monster movies as much as jungle adventure films. Maybe this will start a revival of interest in monster movies or maybe it won’t. All I can say is that I saw a good monster movie and enjoyed every minute of it. Even during the intense moments, “Kong” doesn’t lose its fun luster. From beautiful visuals that will stay with me to engaging creatures fights, this is one eight wonder that I will never forget.
Also word of caution, as stated before this is the first in a planned “shared film universe” meaning the movie ends with a setup for the next entry right after the end credits. Unlike everyone who left the theater, I stayed through every name of the crew members just to see what lay at the end. Sure enough, I got a nice surprise but couldn’t believe how many missed such a great tease. And the fact I was the only one in the movie theater that waited so patiently to see it really shows how determined a filmgoer can be. Do yourself a favor when seeing this in theaters. Don’t walk out during the end credits. The patience is worth it.
As I thought more about Dracula Untold, I kept thinking about how the well embedded Bram Stoker’s novel was into the public conscious. You think films would stay true to the source but there happens to be a small amount of Dracula adaptations that stay true to the original book. Even the 1931 Universal classic had its roots taken from a stage play giving a different take. But for all the different takes, each Dracula had one thing in common; they were scary. This variation we are looking at today is not meant to be horror based which is rather unfortunate. But hey, maybe there is something salvageable?
Luke Evans plays Vlad III Tepes, who looks nothing like Vlad the Imapler if you look at his portraits. As opposed to a long haired Romanian that looks like a Sultan, we get a young and innocent Prince with a couple of shirtless scenes to please the YA crowd. But hey, let’s give the movie a chance. And besides, Luke’s performance is not bad. He can be intimidating when he channels his vampire powers and presents his character as a tortured soul much more than the blood suckers in Twilight. True, he doesn’t care the menace that Lugosi or Christopher Lee left seeing they are playing this Drac to be more heroic. But hey, there’s over 100 Dracula movies out there so no worries.
The story to say the least is a creative mixed bag. I say that because there are some things I do like about it but some stuff that I feel iffy about. Apparently, Prince Vlad is under force by a Turk army to cough up 1,000 boys to be trained as soldiers in debt for some missing scouts. An Ottoman from the army thinks Vlad killed the scouts but its revealed that a nearby vampire in a cave took them as a midnight snack. Even more ironic seeing Vlad pays a visit to this vampire to ask for his powers to save his family and people before they are slaughtered by the Turks.
I like part of this idea despite it being a “Game of Thrones” variation. There is some interesting mythos to the Dracula story like his origin and the world itself is very grimy but appeasing to the eye. Again, this is not meant to diminish the original in any shape and does this new take. But unfortunately, there are some limits we have to accept when donning a new version of a story that has been told before again and again.
As stated, this new Dracula movie is not meant to shock or frighten. Instead, it has the pace of a Marvel comic book movie and this is where some of the problems begin to surface. Vlad is giving vampire powers for three days to help save his people. The catch is that he has to resist feasting on human blood or else doomed to be a vampire for eternity. A little fairy tale-ish but I can buy it. I am use to dark and brooding fairy tales like something along the lines of Jim Henson’s The Storyteller. But where Henson’s Storyteller knew when to be adult and smart, Dracula Untold feels like something crafted from the mind of a teenager that just inhaled glitter up their nose. The powers Vlad gets from this transformation really seem odd. Who knew a vampire could get super strength, the ability to see warm blooded figures and super sonic hearing.
Does he turn into a bat? No but a whole flock of bats. Its insane. The idea of Dracula and his entire body (along with his clothing) turning into a small bat is understandable but a whole gang of flying rodents? That’s just nuts. I guess each bat is a part of him and in one scene we see Vlad control a huge array of bats to vanquish an army much like in 1999’s The Mummy when Imhotep controls a sandstorm. So yeah, this is very much a Marvel Comics version of Dracula. I can’t say it doesn’t have any creative liberties seeing it is doing creative stuff and clearly there is a lot of effort thrown at it. But at the end of the day, your just looking at a Dracula movie to cash in with the younger crowd who love brooding and tortured souls and superhuman people with problems like Thor or Captain America.
On the other hand, there are some drops of Stoker’s novel here and there but its far and few between. There is this Renfield style character but he only gets one small scene and doesn’t show up until the very end of the movie. The idea of someone assisting a young Vlad could have been interesting and does raise tension when we see him try and avoid biting another one’s neck. But with only so few moments tossed in, it makes the story feel rushed as it builds to the big climax between Vlad and the Turk army while wrapping everything in a matter of minutes than let the story flow naturally. It irks me when little scenes here and there could have been played to be big and plot moving when they really feel more like a small drop of water. There is a good moment when Vlad’s people realize the monster he is and try to destroy him. Its great scene that could lead to some interesting character depth with the citizens he gave a home to and where Vlad stands with his decision. But then we have to focus on this big battle next making everything before that a small road block that could have added something.
Supposedly, Dracula Untold is meant to be part of this reboot of the Universal Monster franchise and it does feel like it. The ending clearly sets up a possible shared universe much like what the films of Marvel Comics are doing which is not a bad idea. Why not have a movie with Dracula teaming up with the Wolf Man? Or have the Mummy try and play off the Frankenstein Monster? Would the Phantom of the Opera be there? And what about the Invisible Man? Does Gill-Man (Creature from the Black Lagoon) have a bad-ass appearance like he did in The Monster Squad? We will never know. But after hearing that these new movies would be more action-adventure and less horror, it has my eyebrows raising in caution. What made the originals work was the horror and the shock aspect. Trying to image say the Wolf Man being set up as something like Iron Man or The Incredible Hulk feels very double edged sword to me. Are these monsters now superheroes or just anti-heroes?
Perhaps this idea of a shared universe is not fully throughout that much. On the other hand, Dracula Untold is a the first start of this “reboot franchise.” And if this is how each movie will be planned to be, I’m curious but at the same time part of me is disappointed. I do like the new stuff in this movie even if it gets a little over the top and out there. And the performances are trying to make this a good movie overall. On the other hand, maybe I’m too hard. This is meant to be more dark fantasy with curses and knights. I don’t think this is a bad movie none the less but the recommendation is difficult. I say see it as a rental just for caution. But fans who are looking for this faithful retelling of the Dracula myth might be biased and disappointed. I once again stress this is not meant to be a horror movie in anyway but more of a comic book movie which is interesting but also unfortunate. I am glad to see there are different variations of the Dracula tale out there and keeping the vampire fresh in the public’s minds. But I’m positive this harmless flick won’t do much damage to those who love the bloodsucking favorite but I’m positive this outing won’t be as memorable either. Not 100% bad by any means but not good either. Then again, as they always say, it could have been a lot worse….